Scenarios of Presence (2018-2024)

The dark side, 90 x 60 cm, 2019

Balance the impossible, 40 x 60 cm, 2018

It is not Hercules keeping the world going, 40 x 60cm, 2024

Untitled, 90 x 60 cm, 2024

Inside – Outside, 21 x 31 cm, 2022

Encounter, 40 x 60 cm, 2019

Head_less, 40 x 60 cm, 2018

Swallod, 90 x 60 cm, 2019

Stretch_bench, 60 x 40 cm, 2021

Behind the curtain, 40 x 60 cm, 2019

Bubbling, Homage to Magritte, 60 x 40 cm, 2022

The game of the marionette, 40 x 60 cm, 2022

Naked, 21 x 31 cm, 2022

Don’t bother me, 40 x 60 cm, 2018

Escape, 40 x 60 cm, 2018



In the digital photo collages, I thematise forms of existence in a dialectical way. The perception of the world and the need to place oneself in a relationship to things lead not least to a need to endure tension, powerlessness, fear, anger and sadness. The associative images thrive on irritation. Everything seems deceptive. Traces of threat are a constant in the images and challenge people to take a stand. The struggle for the ability to act begins. In their surreality, the images, as landscapes of the unconscious, provide a foil for the attempts shown to step out of powerlessness and gain room for manoeuvre. Each individual picture deals with the theme in its own (constructed) story, each individual picture is a statement. Nevertheless, the series lives from the fluid character of its inner thematic connection and permeability.

Quote from the „Lens Culture Photography Award 2024“ review.
„...we learn things about you by studying your images, and this is great. After all, what every artist does at the end (I mean with his whole work) is to tell his story and present his life philosophy. We could say that you are a thoughtful, creative, unconventional, and sensitive person with high aesthetic criteria and a vivid imagination who loves challenges and is not afraid to explore herself through her art. You pay attention to the subject of the images and its visualization in the collage, and this is visible in the images. In some cases, the way you have combined parts of images is amazing, and the result is persuasive, leading us directly to explore the meaning.“